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The Last Navy Biplane Fighter by Stan Stokes. - Cranston Military Prints

The Last Navy Biplane Fighter by Stan Stokes.


The Last Navy Biplane Fighter by Stan Stokes.

The Grumman Aircraft Engineering Corp. was organized in late 1929. The US Navy ordered 27 production Grumman FF-1 biplane fighters in 1932, the beginning of a relationship that has endured for more than seventy years. The FF-1 was a diminutive staggerwing fighter capable of a top speed of 207-MPH. A large number of aircraft were produced for export by Grumman in the early 1930s, but the company wanted to win a contract for a new and improved USN fighter. In May of 1934 the company succeeded with a contract for 54 F2F-1s. In 1934 the company also won a contract for a new and improved F3F-1. The latter was aerodynamically improved design which overcame some of the design inadequacies of the earlier aircraft. The F3F-2 was delivered in 1937. Three units were equipped with the aircraft, VF-6 operating off the USS Enterprise, VMF-2 based in San Diego, California, and VMF-1 based in Quantico, Virginia. Grumman was working on another variant, but they became concerned about the monoplane design proposed by Brewster Aircraft, so they modified their proposal from the XF4F-1 biplane to the XF4F-2 monoplane which would become the Grumman Wildcat fighter. The F3F was a stretched version of the earlier F2F produced by Grumman and also had larger wings and more modern aerodynamic features. Initial production models were fitted with a 650-HP Pratt & Whitney radial and an 8-foot 6-inch Hamilton Standard prop. The F3F-2 was the primary variant. It utilized a 950-HP engine and was armed with one .30 caliber and one 0.50 caliber machine guns. The F3F-2 was capable of a top speed slightly in excess of 240-MPH, had a service ceiling of 30,000 feet, and an effective range of 825-miles. The F3F-2s were delivered to VF-6 aboard the USS Enterprise, VMF-1 at Quantico Virginia and VMF-2 at San Diego, California. The F3F-3 was similar in design to the F3F-2. The two aircraft were almost indistinguishable, yet the 3 was 8-MPH faster due to a tighter fitting engine cowling, some aerodynamic refinements, and the deletion of the the fuselage vents. By the end of 1941 the last of these Grumman biplane fighters had disappeared from front line service. VMF 111 and VMF 211 were the last two units to relinquish their F3Fs in July and October of 1941, respectively. The1941 color movie Dive Bomber, starring Erroll Flynn, Ralph Bellamy, and Fred McMurray, featured the F3F, and many future naval aviators were motivated to sign-up after seeing this picture. As illustrated in Stan Stokes painting, an F3F aircraft piloted by a young Naval officer of Fighting Six, James E. Howard, lifts off from the USS Enterprise during fleet maneuvers before the War. Howard flew with VF-6 from 1937 through 1941. In mid-41 he resigned his commission to join the AVG Flying Tigers in China, and upon his return to the States he accepted a commission with the USAAF as a Captain. He became commander of the 356th Fighter Squadron flying the P-51 Mustang. Howards most memorable day was on January 11, 1944 when he single handedly protected a bomber squadron from enemy fighter attack on their return from their bombing mission. Labeled a one man air force by one of the bomber pilots, Howard would be awarded the Congressional Medal of Honor for his heroic acts of January 11th. Howard was the only fighter ace in the European theater to be so honored.
Item Code : STK0162BThe Last Navy Biplane Fighter by Stan Stokes. - Editions AvailableExtra....


A photo of an edition of the print.

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Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Artist : Stan Stokes£15 Off!
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Limited edition of 100 giclee art prints. Size 21 inches x 14 inches (53cm x 36cm)Artist : Stan Stokes£10 Off!Now : £160.00

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Some other related items available from this site.

 The first light of dawn silhouettes the massive outline of the Yorktown class carrier USS Enterprise, in mid April 1944 she was partnered by the new Essex Class carrier USS Lexington.

Dawn Enterprise by Anthony Saunders.
The first light of dawn silhouettes the massive outline of the Yorktown class carrier USS Enterprise, in mid April 1944 she was partnered by the new Essex Class carrier USS Lexington.

Dawn Enterprise by Anthony Saunders
 Truk, the small atoll in the South Pacific, was the major anchorage for the Japanese Fleet. Comprising a magnificent harbor and four heavily defended airfields, it was thought impregnable by the US forces as they fought their way up through the Pacific. But on 16-17 February 1944 a violent two-day aerial assault by carrierborne aircraft of Task Force 58 exploded the myth. In just two days the US Navy flyers sunk over 200,000 tons of Japanese naval shipping and destroyed an estimated 275 enemy aircraft, totally eliminating all effectiveness of the Japanese base. Light as the US Navy losses were only 25 aircraft failed to return the battle for Truk was ferocious. The ground installations, ships, and airfield batteries put up intense antiaircraft fire against the attacking American aircraft, while Zeros did their best to repel the onslaught. The air above the atoll became a maelstrom of flak, tracer, flying lead and shrapnel, while below huge explosions rocked the ground as ammo and fuel dumps were hit, fires raged, and the acrid smoke of battle pervaded the entire area. In this important new painting, his first featuring the F6F Hellcat, Robert Taylor brings to life the scenario that was crucial to Admiral Spruances forceful drive through the Central Pacific. The once feared Japanese base at Truk is being reduced to a statistic of war. Hellcats of VF6 hurtle across the lagoon at masthead height with guns blazing, creating havoc as they tear into the enemy positions below. Seen in the foreground is the F6F-3 of Lt. Alex Vracui, subsequently to become one of the Navys top guns. This exhilarating work dramatically conveys the awesome conditions endured day after day by the pilots of the US Navy and Marine Corps in the Pacific.

Hellcat Fury by Robert Taylor
 Truk, the small atoll in the South Pacific, was the major anchorage for the Japanese Fleet. Comprising a magnificent harbor and four heavily defended airfields, it was thought impregnable by the US forces as they fought their way up through the Pacific. But on 16-17 February 1944 a violent two-day aerial assault by carrierborne aircraft of Task Force 58 exploded the myth. In just two days the US Navy flyers sunk over 200,000 tons of Japanese naval shipping and destroyed an estimated 275 enemy aircraft, totally eliminating all effectiveness of the Japanese base. Light as the US Navy losses were only 25 aircraft failed to return the battle for Truk was ferocious. The ground installations, ships, and airfield batteries put up intense antiaircraft fire against the attacking American aircraft, while Zeros did their best to repel the onslaught. The air above the atoll became a maelstrom of flak, tracer, flying lead and shrapnel, while below huge explosions rocked the ground as ammo and fuel dumps were hit, fires raged, and the acrid smoke of battle pervaded the entire area. In this important new painting, his first featuring the F6F Hellcat, Robert Taylor brings to life the scenario that was crucial to Admiral Spruances forceful drive through the Central Pacific. The once feared Japanese base at Truk is being reduced to a statistic of war. Hellcats of VF6 hurtle across the lagoon at masthead height with guns blazing, creating havoc as they tear into the enemy positions below. Seen in the foreground is the F6F-3 of Lt. Alex Vracui, subsequently to become one of the Navys top guns. This exhilarating work dramatically conveys the awesome conditions endured day after day by the pilots of the US Navy and Marine Corps in the Pacific.

Hellcat Fury by Robert Taylor
Squadrons Related to This Print
VF-6
Aircraft Related to This Print
F3F
Ships Related to This Print
USS Enterprise (1936)

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