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The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman - Cranston Military Prints

The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman


The Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman

The view across Battleship Row, viewed from above Ford Island as the USS Nevada gallantly makes her break for the open sea, coming under heavy attack from Japanese A6M2s from the carrier Hiryu. The Nevada was eventually too badly damaged to continue and was beached to avoid blocking the harbour entrance. In the immediate foreground, the lightly damaged USS Tennessee is trapped inboard of USS West Virginia which has sunk at her moorings, leaking burning oil and hampering the daring operations to pluck trapped crew members from her decks, while just visible to the right is the stern of the USS Maryland and the capsized Oklahoma.
Item Code : DHM1121PCThe Raid on Pearl Harbor, 7th December 1941 by Ivan Berryman - Editions AvailableExtra....

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Signed limited edition of 1150 prints. Image size 25 inches x 15 inches (64cm x 38cm)Artist : Ivan Berryman£25 Off!
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Limited edition of 50 artist proofs. Image size 25 inches x 15 inches (64cm x 38cm)Artist : Ivan Berryman£25 Off!
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Limited edition of 50 giclee canvas prints. Image size 36 inches x 24 inches (91cm x 61cm)Artist : Ivan Berryman
(on separate certificate)		£100 Off!
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Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm)Artist : Ivan Berryman
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Original painting by Ivan Berryman. Image size 36 inches x 24 inches (91cm x 61cm)Artist : Ivan BerrymanSOLD
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Postcard Postcard size 6 inches x 4 inches (15cm x 10cm)none£2.50

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Dawn had broken to reveal another glorious day in paradise, and on board the USS Arizona and the repair ship USS Vestal alongside, the crew were taking it easy. All next week they would be hard at work preparing for sea, but today was Sunday, and that meant light duties. On the Arizona, the duty crew were preparing the stern of the battleship, erecting the awnings for the ships band at Morning Colors. The young officer in charge smiled approvingly, it was an inspiring scene and he thought that the recently overhauled battleship had never looked more impressive. But within the hour he would glance skyward, and a frown of puzzlement crease his forehead as, out of nowhere, Japanese carrier-based aircraft were descending on the unsuspecting naval base. As he registers the bright red circles on their wings, the blood froze in his veins. He realized that hell had come to Pearl Harbor! Then, just before 08.10hrs, the unthinkable happened. A bomb from a Nakajima B5N Kate high-altitude bomber penetrated the ship's armor plated deck and exploded in the forward magazine. Within seconds a cataclysmic blast ripped through the Arizona, devastating the mighty ship which would burn for two days, taking with her the lives of nearly twelve hundred men. In tribute to all those who lost their lives at Pearl Harbor on that infamous day Robert Taylor has created his poignant new landmark painting. The Arizona has since become the focal point for the memorial at Pearl Harbor and this moving piece portrays this proud ship as those who survived would surely like to remember her - in all her glory prior to the attack.

The Calm Before the Storm by Robert Taylor.		 Pearl Harbor - Monday December 8th, 1941. On Sunday December 7th, 1941, the free world had been stunned into disbelief by the treacherous Japanese attack on Pearl Harbor. Giving no formal declaration of war, the devastating Japanese assault on the headquarters of the US Pacific Fleet had left over two thousand American servicemen dead, most of her battleships destroyed or damaged, and the remains of nearly 200 American aircraft lay in tatters. America reeled from the shock and sheer incredulity. But for Admiral Yamamoto, Commander-in-Chief of the Imperial Japanese Navy, and architect of the attack on Pearl Harbor, the success of victory left a bitter taste. The main targets of his carefully orchestrated plan had been the US carriers but, as fate would have it, they were all at sea. Yamamoto knew in his heart that he would have to face those carriers one day, and when he did they would be the platform upon which America would unleash the brunt of her power against him. At 12.30 the following day President Roosevelt began his address to Congress, calling for the declaration of war on Japan. By 4.10pm America was formally at war, and five thousand miles away the first of the carriers, USS Enterprise, was returning to Pearl Harbor. Richard Taylor's painting depicts the Enterprise as she approaches Ford Island and the smoldering ruins that had been the Pacific Fleet. As ships still burn and the thick smoke hangs in the air, ever alert F4F-3A Wildcats of VF-6 fly an overhead patrol. Throughout the night the carrier will refuel and re-arm, and at dawn she will return to sea with a steel resolve and a new mission, to avenge Pearl Harbor. The Japanese failure to destroy the US carriers was a fateful mistake and, six months later, the Enterprise finally got her chance at the Battle of Midway, as the US carriers delivered one of the most decisive victories in the history of naval warfare, paving the way for victory in the Pacific.
The Sleeping Giant Awakes by Richard Taylor.		 Admiral Isoroku Yamamoto attended Harvard University where he gained a good understanding of American culture and developed an avid interest in the game of poker. Yamamoto played his cards when he outlined a plan to attack Pearl Harbor in January 1941. In April the Japanese organized a First Air Fleet with Vice Admiral Nagumo as its Commander in Chief. Commander Minoru Genda was appointed air staff officer, and because Nagumo was unfamiliar with air tactics, Genda was given responsibility for planning the attack on Pearl Harbor. Cdr. Genda immediately began perfecting the Pearl Harbor plan, and few details were overlooked. The Imperial Navys First Air Fleet consisted of six carriers. The Akagi, flagship of the strike force, was a converted cruiser which carried 63 aircraft. The Kaga also carried 63 aircraft, and was a converted battleship. The Soryu was the first carrier built from the ground up and was similar to the Hiryu. Each carrier had a compliment of 54 aircraft. With two additional carriers, the Zuikaku and the Shokaku, the fleet had a total of 378 aircraft. Three different types of aircraft were utilized for the attack. Mitsubishi A6M2 Zeros, a highly maneuverable single seat fighter, was responsible for obtaining air control and for strafing aircraft and ground installations. Aichi D3A1 Vals, with two-man crews, were utilized for dive bombing. Nakajima B5N2 Kates were responsible for horizontal bombing and torpedo bombing. The Kate carried a crew of three and had a cruising speed of only 160 MPH. During the first wave of the attack 183 aircraft were deployed. Torpedo aircraft from the Akagi, the Hiryu, and the Kaga targeted battleship row during this first wave. As portrayed in Stan Stokes life-like painting, a Japanese Kate from the Akagi launches its torpedo from very low altitude. Not far in the distance looms the USS West Virginia and Tennessee, virtual sitting ducks. The Japanese had trained carefully, and had modified their Kai Model 2 torpedoes to accommodate the shallow waters of Pearl Harbor. While caught by surprise, the USN was fortunate that its carriers were not in port, and that the Japanese had failed to destroy many of the support and repair facilities. This stroke of good luck permitted the USN to repair many of the ships damaged in the attack quite quickly. The devastating blow Yamamoto had planned for December 7, 1941 backfired by infuriating American public opinion, and eventually lead to Imperial Japans defeat and unconditional surrender.

Battleship Row by Stan Stokes. 		Pearl Harbor - Monday December 8th, 1941. On Sunday December 7th, 1941, the free world had been stunned into disbelief by the treacherous Japanese attack on Pearl Harbor. Giving no formal declaration of war, the devastating Japanese assault on the headquarters of the US Pacific Fleet had left over two thousand American servicemen dead, most of her battleships destroyed or damaged, and the remains of nearly 200 American aircraft lay in tatters. America reeled from the shock and sheer incredulity. But for Admiral Yamamoto, Commander-in-Chief of the Imperial Japanese Navy, and architect of the attack on Pearl Harbor, the success of victory left a bitter taste. The main targets of his carefully orchestrated plan had been the US carriers but, as fate would have it, they were all at sea. Yamamoto knew in his heart that he would have to face those carriers one day, and when he did they would be the platform upon which America would unleash the brunt of her power against him. At 12.30 the following day President Roosevelt began his address to Congress, calling for the declaration of war on Japan. By 4.10pm America was formally at war, and five thousand miles away the first of the carriers, USS Enterprise, was returning to Pearl Harbor. Richard Taylor's painting depicts the Enterprise as she approaches Ford Island and the smoldering ruins that had been the Pacific Fleet. As ships still burn and the thick smoke hangs in the air, ever alert F4F-3A Wildcats of VF-6 fly an overhead patrol. Throughout the night the carrier will refuel and re-arm, and at dawn she will return to sea with a steel resolve and a new mission, to avenge Pearl Harbor. The Japanese failure to destroy the US carriers was a fateful mistake and, six months later, the Enterprise finally got her chance at the Battle of Midway, as the US carriers delivered one of the most decisive victories in the history of naval warfare, paving the way for victory in the Pacific.
The Sleeping Giant Awakes by Richard Taylor.
Ships Related to This Print
USS Nevada
USS Tennessee
USS West Virginia

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