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The Veteran by Simon Smith. - Cranston Military Prints

The Veteran by Simon Smith.


The Veteran by Simon Smith.

Our Gal Sal, a veteran of over a hundred ops, returning to base in the summer of 1944. The peace of the English country side is broken by the thunder of the mighty four engined bombers and keen observers will spot the rabbit scampering along the country lane as the Forts of the Bloody 100th circle the Airbase. With one engine feathered and showing signs of the gauntlet of Flak and fighters she has had to come through, the crew know they are only moments away from the safety of home.
Item Code : DHM1461APThe Veteran by Simon Smith. - Editions AvailableExtra....



A photograph of an edition of the print.

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Artist Signed limited edition of 500 prints. Image size 23 inches x 17 inches (58cm x 43cm)Artist : Simon Smith£35 Off!Now : £85.00

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Limited edition of artist proofs. Image size 23 inches x 17 inches (58cm x 43cm)Artist : Simon SmithSOLD
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The B-17 Flying Fortress, was one of the most acclaimed aircraft of WW II. It is also one of those uniquely popular warbirds which has attracted more than its fair share of romance and nostalgia over the years. Nearly 13,000 of these aircraft were produced. The origins of the B-17 dates to 1934 when the Boeing company was authorized to build a prototype of a long-range, metal, monoplane, medium bomber which was designated Model 299. During the first public exposure of the prototype a reporter from the Seattle Daily Times coined the term flying fortress in his description of the new sleek, heavily armed aircraft. Boeings public relations department liked this reference, and shortly thereafter the aircraft became known as the Flying Fortress. Boeing received an initial order for 13 aircraft, designated the YB-17, and these aircraft were delivered in 1937. Later that year Boeing obtained orders for several enhanced models, which were designated B-17Bs. These aircraft had supercharged engines permitting higher ceilings, redesigned nose sections, hydraulic brakes, and larger rudders. With the outbreak of WWII the first Flying Fortresses were used by the RAF. Early experience by the RAF underscored the need for increased defensive firepower. Boeing responded by redesigning the entire rear fuselage on the aircraft, and incorporating a rear gun and a remotely controlled under belly turret gun. The resulting B-17E was only slightly slower than its predecessor at 317 MPH, and in mid-1942 the USAAF began moving B-17 units to the United Kingdom. These were primarily B-17Fs. Flying Fortresses had the ability to take a lot of punishment. The aircrafts flying characteristics were excellent, and it was not unusual for B-17s to return to base with large sections of wing surface or tail fin missing. The first B-17G models began to see action late in 1943, and were, along with the B-24 Liberators, carried the brunt of the USAAF daylight bombing campaign against targets of strategic significance. Such missions were exceedingly dangerous until only very late in the War. Luftwaffe pilots learned to attack B-17s head-on from the 12 oclock position, as this was the most vulnerable area to attack, and one in which crew injury was the most likely. Aviation artist Stan Stokes, in his painting entitled Rubys Fortress, shows a B-17G of the 8th Air Forces 385th Bomber Group over Germany in 1945. The aircraft in the foreground was named for Cpl. Ruby Newell of Long Beach, California. Ms. Newell was voted the most attractive WAC in England in 1944. The nose art painted by Cpl. Ploss was a fitting tribute, and such nose art was a great morale booster for bomber crews and ground support staff. Many B-17s were named after women, appropriate considering the fact that during wartime the majority of the people which built these planes were women.

Ruby's Fortress by Stan Stokes. 		For those on the ground there were few sights more stirring than a B-17 Fortress on its final approach from a combat mission, and Robert Taylor's outstanding painting <i>Winter's Welcome</i> is no exception. This now legendary image conjures up those exhilarating final moments as an exhausted pilot and his crew bring their mighty warbird safely home to the welcoming winter countryside of East Anglia. It has been another tough and arduous mission and damage is clearly visible, but with engines throttled back, and wheels and flaps down, the tired captain coaxes his aircraft gently down the glide path towards touchdown. On the ground below a pair of startled pheasants take to the air as the mighty machine thunders overhead, and local farm workers gaze up in respect and wonder.

Winter's Welcome by Robert Taylor. 		In the early days of the USAAF daylight bombing campaign, before the arrival of long-range fighter escorts, rarely was a mission flown without Luftwaffe interception and the ever-present barrage of anti-aircraft fire. The Eighth Air Force crews literally fought their way through swarms of enemy fighters and thick flak to hit their targets, then fought their way home again. Seldom a formation returned without losses and casualties, but inexorably the American bomb groups struck deeper and deeper into enemy territory. Bomber crews lucky enough to survive a complete tour were few and far between. They knew this when they arrived in England at the start of their tour, and the awesome task they faced banded the flyers together like brothers. They flew and fought for each other, their country and liberty with determination and a camaraderie that only those who went through the experience could fully appreciate. In his tribute to the USAAF bomber crews, Robert Taylor has selected the 381st Bomb Group to represent, and pay tribute to all those who flew the perilous daylight raids out of bases in England into the heavily defended skies above enemy occupied Europe. Roberts emotive painting shows 381st Bomb Group B-17 Fortresses returning to Ridgewell on a summer afternoon in 1944 during a period when the Group reached the peak of it effectiveness- for several months it was the top ranked outfit in the Eighth. Between June 1943 and the end of hostilities the 381st completed 297 combat missions, hit almost every important target in German hands and was credited with the destruction of 223 enemy aircraft. One aircraft, more than any other, came to symbolise the great bombing campaign of the USAAF in Europe during World War Two, and in his spectacular new painting Robert Taylor captures the magnificence of Boeings legendary B-17 Flying Fortress. In his inimitable style the artist brings to life an exact wartime scene, a battle-damaged aircraft making apparent the fearsome task tackled daily by those who flew the hazardous missions to occupied Europe during the greatest air war ever fought.

Thunderheads Over Ridgewell by Robert Taylor 		Major Rudolf Rudi Sinner of STAB.III/JG7 attacking B-17s of 91st Bomb Group during March 1945. Attacking in a Kette of three aircraft from behind and below targeting the tailenders and rising over the B-17s. Avoiding any debris and evading the incoming fighter escort, who are dropping down from their top cover positions. Rudolf Sinner acheived a total of 39 victories, including two in the Me262.

Defenders of the Reich by Graeme Lothian
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