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In the Air Tonight by Michael Rondot. - Cranston Military Prints

In the Air Tonight by Michael Rondot.


In the Air Tonight by Michael Rondot.

A Tornado GR-1 with JP 233 airfield denial weapons taking off at the start of a night low-level mission to attack an airfield target deep within Iraq. The television images of the Gulf War air campaign as a series of precision attacks with laser-guided bombs, dropped from the relative safety of medium altitude, takes no account of the fearsome price that was paid in delivering these early low-level attacks. During the opening nights of Operation Desert Storm hundreds of RAF, US and Coalition aircraft unleashed a tidal wave of low-level bombing attacks on airfield targets in Iraq and in occupied Kuwait. Spearheading the RAF attack were Tornado GR.1 units based at Tabuk and Dhahran in Saudi Arabia and Muharraq, Bahrain. These early missions, flown at low-altitude, often under cover of darkness, were strictly for the brave. Approaching their targets over featureless desert, the aircrews were faced with ferocious barrages of AAA gunfire and missiles defending the airfields. It took a special kind of determination to press home attacks in the face of the full fury of Iraqs air defenses flying straight and level through curtains of tracer fire to deliver JP 233 weapons. Afterwards, some of the pilots were icily matter-of-fact about these missions: You could see the AAA from over twenty miles away but from five miles out at 200 feet you could steer a path through the lines of tracer to the target. It was a bit scary, but we were more concerned about being forced off track and laying down our weapons a hundred yards right or left of the intended impact path, than we were about bullets going past the window. Others were more sombre about their experiences, perhaps realising that running a gauntlet of enemy fire and surviving unscathed owed more than a little to luck and the Iraqi gunners tactics of hosing the sky with unaimed fire
Item Code : MR0026APIn the Air Tonight by Michael Rondot. - Editions AvailableExtra....

A photo of the print :

DESCRIPTIONSIZESIGNATURESOFFERSPRICEPURCHASINGPACKS
Signed limited edition of 500 prints, with 19 signatures. Paper size 28 inches x 20 inches (71cm x 51cm)Artist : Michael Rondot£95.00

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Signed limited edition of 500 prints, with 19 signatures. Paper size 28 inches x 20 inches (71cm x 51cm)Artist : Michael Rondot£150.00

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Some other related items available from this site.

 A Tornado GR-1 with JP 233 airfield denial weapons taking off at the start of a night low-level mission to attack an airfield target deep within Iraq. The television images of the Gulf War air campaign as a series of precision attacks with laser-guided bombs, dropped from the relative safety of medium altitude, takes no account of the fearsome price that was paid in delivering these early low-level attacks. During the opening nights of Operation Desert Storm hundreds of RAF, US and Coalition aircraft unleashed a tidal wave of low-level bombing attacks on airfield targets in Iraq and in occupied Kuwait. Spearheading the RAF attack were Tornado GR.1 units based at Tabuk and Dhahran in Saudi Arabia and Muharraq, Bahrain. These early missions, flown at low-altitude, often under cover of darkness, were strictly for the brave. Approaching their targets over featureless desert, the aircrews were faced with ferocious barrages of AAA gunfire and missiles defending the airfields. It took a special kind of determination to press home attacks in the face of the full fury of Iraqs air defenses flying straight and level through curtains of tracer fire to deliver JP 233 weapons. Afterwards, some of the pilots were icily matter-of-fact about these missions: You could see the AAA from over twenty miles away but from five miles out at 200 feet you could steer a path through the lines of tracer to the target. It was a bit scary, but we were more concerned about being forced off track and laying down our weapons a hundred yards right or left of the intended impact path, than we were about bullets going past the window. Others were more sombre about their experiences, perhaps realising that running a gauntlet of enemy fire and surviving unscathed owed more than a little to luck and the Iraqi gunners tactics of hosing the sky with unaimed fire.

In the Air Tonight by Michael Rondot.
 British infantry supported by Warrior armoured vehicles advance into Iraq, February 1991.

The Storm and the Sabre by Simon Smith.
 22 SAS Squadron in the Gulf, having been dropped by Chinook of the 7th Squadron RAF

The Winged Dagger by Simon Smith.
At the beginning of her Golden Jubilee Year, Her Majesty Queen Elizabeth II visited Royal Air Force Marham, the Norfolk airbase close to the Royal familys winter residence at Sandringham. RAF Marham personnel are very proud of their unique association with Her Majesty who became Honorary Air Commodore of the station in 1976. To mark the occasion of her Golden Jubilee Year this magnificent oil painting was commissioned by all ranks of RAF Marham and presented to Her Majesty. The aircraft in Michael Rondots painting represent the five squadrons of The Marham Wing, formed in August 2001 to become the Royal Air Forces largest and most potent fast-jet main operating base. A Canberra PR9 is portrayed leading four Tornado GR4s, one from each squadron with aircraft tail letters specially marked to spell E II R L for the Queens Golden Jubilee, in a formation flown over Sandringham House in Her Majestys honour. In the background, surrounded by beautiful wooded grounds, lawned gardens and 20,000 acres of estate, stands the fine red brick and sandstone house built in 1870 for Prince Edward (later King Edward VII) and Princess Alexandra.

The Marham Wing Over Sandringham by Michael Rondot.
Aircraft Related to This Print
Tornado

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